• Ahmadi, B. (2013). Truth & Beauty (26th ed.). Tehran: Markaz.
• Ahmadi, B. (2015). The Text Structure and Textual Abstraction (6th ed.). Tehran: Markaz.
• Azarang, F. (2005). The Book of Amnesia. Tehran: Herfeh: Nevisandeh.
• Bastide, R. (1995). Art and Society (1st ed.) (Ghaffar Hoseini, Trans.). Tehran: Toos.
• Barthes, R. (1972). Elements of Semiology. (Annette Lavers & Colin Smith, Trans.). London.: HILL AND WANG e NEW YORK.
• Barthes, R. (2013). Camera Lucida (4th ed.) (Farshid Azarang, Trans.). Tehran: Herfeh: Nevisandeh.
• Bert, T. (1996). Criticizing Photographs (2nd ed.) (Esmaeil Abbasi & Kaveh Mir Abbasi, Trans.). Tehran: Markaz.
• Catalogue of Conceptual Art Exhibition. (2001). Contemporary Art Museum, Ministry of Culture & Islamic Guidance, Tehran: Print and Publication Organization.
• Chandler, D. (2001). Semiotics (The Basic). USA & Canada: Routledge.
• Chandler, D. (2007). Semantic Foundations. (Mahdi Parsa, Trans.). Tehran: Soure Mehr.
• Dubois, P. (1981). Photography & Contemporary Art. In Jean-Claude Lemagny; André Rouillé (Eds.), A History of Photography: Social & Cultural Perspectives, Cambridge: Cambridge University Press.
• Gerandberg, A. (2013). Reality Crisis on Contemporary Photography. (Msoud Ebrahimi Moghadam & Maryam Ladoni, Trans.). Tehran: Farhangestan-e Honar.
• Hassanpour, M. (2014). Photo Hermeneutics as Text. Mashhad: Taraneh.
• Jensen, A. F. (2002). Postmodernism. (Majid Goodarzi, Trans.). Tehran: Asr-e Honar.
• Kamran, A., Mosavirlar, A. & Rahbarnia, Z. (2013). Time Semiotics & Its Flow In Memorial Photos. Honar haye Ziba - Honar haye Tajssomi, 18(2), 65-74.
• La Grange, A. (2014). Basic Critical Theory for Photographers. (Hassan Khoobdel, Trans.). Tehran: Shourafarin.
• Lewitt, S. (2015). About Conceptual Art. (Abolfazl Tavakoli Shandiz, Trans.). Tehran: Herfeh Honarmand.
• Lucy Smith, E. (2013). Globalization and New Art. (Alireza Sami Azar, Trans.). Tehran: Nazar Research and Cultural Institute.
• Marzona, D. (2005). Conceptual Art. Taschen.
• Millet, C. (2009). L’art Contemporian en France. (Mahshid Nonahali, Trans.). Tehran: Nazar Research and Cultural Institute.
• Moghim Nejad, M. (2014). Photography and Theory. Tehran: Soure Mehr.
• Peirce, C.S. (1931-58). Collected Writings (8 Vols.). Charles Hartshorne, Paul Weiss & Arthur W Burks (Eds.). Cambridge, MA: Harvard University Press.
• Qarabaghi, A. A. (2001). Postmodernism Genealogy. Tehran: Office of Cultural Research.
• Sami Azar, A. (2014). Conceptual Revolution: Movement in Contemporary Art. Tehran: Nazar Research and Cultural Institute.
• Scott. C. (1999). The Spoken Image: Photography and Language. London: Reaktion Books.
• Sojoodi, F. (2004). The First Articles about Forums of Art Semiotics (2nd ed.). Tehran: Frhangestan-e Honar.
• Sonesson, G. (2014). Semiotics of Photography (On Tracing the Index). (Mehdi Moghimnejad, Trans.). Tehran: Elm.
• Saussure, F. ([1916] 1983). Course in General Linguistics (Roy Harris, Trans.). London: Duckworth.
• Wood, P. (2004). Conceptual art. (Media Farzin, Trans.). Tehran: Honar-e Iran.