Arnheim, R. (1974). Art and Visual Perception. Berkeley, CA: University of California Press.
Arnheim, R. (2019). Art and Visual Perception, Psychology of the Creative Eye. (Translated by M. Akhgar). Tehran: Samt.
Barthelemy, J. (2013). Traité d'Esthétique. (Translated by A. Samiee). Tehran: Sokhan.
Davies,
Penelope J. E.,
Denny, Walter B. D.,
Hofrichter, Frima F. (2009).
Janson's History of Art: Western Tradition. (Translated by F. Sojodi). Tehran: Farhangsaray-e Mirdashti.
Eco, U. (2016). On Ugliness. (Translated by H. Bina and K. Taghizadeh). Tehran: Iranian Academy of the Arts.
Eran, G. (2016). Aesthetics A-Z. (Translated by M. Abolghassemi). Tehran: Mahi.
Gombrich, E. H. (1960). Art and Illusion. Princeton, NJ: Princeton University Press.
Hall, J. (2001). Illustrated Dictionary of Symbols in Eastern and Western Art. (Translated by R. Behzadi). Tehran: Farhange Moaser.
Iravani, M., Khodapanahi, M. (2002). Psychology of Sensation and Perception. Tehran: Samt.
Izadi, A. (2018). A Visual Study on the Figures of the "Kava Tears Zahhak's Scroll" Painting from Tahmasp Shahnama, According to Gestalt Theory. Negareh Journal. April. 45. 18-31.
Kaufmann, T. D. (2009). Arcimboldo: Visual Jokes, Natural History, and Still-life Painting. Chicago: University of Chicago Press.
Koffka, K. (1922). Perception: An Introduction to the Gestalt-Theorie. Psychological Bulletin. 19(10), 531–585.
Mafitabar.A, Hesami M., Kateb, F. (2017). “Study of Four Persian Paintings of Qajar Era according to the Visual Perception Theory of Ernst Josef Gombrich (Case study “Farhad Carries Shirin Horse on his Back”). Motaleate Tatbighi Honar. Summer & Spring. 13. 15-31.
Ocvirk, Otto, Stinson.
R.,
Wigg. Ph., Bone.
R., Cayton, D. (2019).
Art Fundamentals: Theory and Practice. (Translated by M. Yeganehdost). Tehran: Samt.
Ramachandran, V. S., & Hirstein, W. (1999). The Science of Art: A Neurological Theory of Aesthetic Experience. Journal of Consciousness Studies. 6(6-7). 15-51.
Ramachandran, V. S. & Ramachandran, D. S. (2006). The Neurology of Aesthetics, How Visual-Processing Systems Shape our Feeling about What We See. Scientific American Reports, October. 74-77.
Reber, R. (2008). Art in Its Experience: Can Empirical Psychology Help Assess Artistic Value?. Leonardo. 41. 367-372.
Rezazadeh, T. (2008). Application of Gestalt Theory in Art and Drawing. Ayene Khial. Autumn. 9. 31-37.
Sauvanet, P.(2012). Eléments d`esthétique. (Translated by M. Abolghassemi). Tehran: Mahi.
Shamili, F., Ghafoorifar, F. ( 2019). Investigation of the Qur'anic Verses No. 3089 Registry of the Central Library of Tabriz based on the Principles of the form and Context of the Gestalt Psychological Theory. Culture Communication Studies. October. 47. 225-264.
Stanley, C. (2018).
Sensation and Perception. (Translated by M. A. Godarzi). Tehran: Samt.
Taheri, A. (2018). Physiognomy and Its Reflection in Literature and Painting, Honar-Ha-Ye Ziba, Honar-Ha-Ye Tajassomi. April. 1. 93-102.
Townsend, D. (2014). The a to Z of Aesthetics. (Translated by F. Majidi). Tehran: Iranian Academy of the Arts.
Wilder, J. B. (2015). Art History for Dummies. (Translated by S. Bromand). Tehran: Avande Danesh.
Zeki, S. (1999). Art and the Brain. Journal of Consciousness Studies. June. 6. 76-96.
URLs:
URL3.https://www.istockphoto.com/es/vector/ilusi%C3%B3n-%C3%B3ptica-de-retrato-y-perfildehombre-adulto-gm1084445340-290972826(access date:12/5/2021).