References
-Adineh, A.; Razani M.(2008). Cesare Brandi and Modern Restoration Ideas, Maremat va Pazouhesh,(3) 17-26
-Angelini, A.; Santi, B.; Heusinger, L.; Pedrocco, F.; Bonsanti, G. (2001). I Protagonisti dell’Arte Italiana. Florence: Scala
-Beaurle, S.A.; Hotta, A.; Gusev, A.A. (2006). On the glassy state of multiphase and pure polymer materials. Polymer, 47(17): 6243-6253
-Brandi, C.(1963). Theory of Restoration, (Pirouz Hanachi, Trans.) Tehran: University of Tehran press
-Beck, J. H. (1999). Pittura Italiana Del Rinascimento. Koln: Konemanne
-Berenson, B. (1986). Les peintures italiennes de New York et de Boston, Gazette des Beaux-art, troisième période (XV): 211-214
-Borghese, P; Frezzato, F. F; Patrizia, G. Nadia (2014). Il San Sebastiano di Raffaello Restauro, Kermes (93): 35-50
-Colalucci, G (1986), Michelangelo's Colors Rediscovered. The Sistine Chapel. New York: Harmony Books
-De Vecchi, P.L.(1975). Raffaello.Milan: Rizzoli
-De Vecchi, P.L.(1995). Arte nel Tempo. Milan: Bombani
-
Gumbrecht, H. U. (2003).
Production of Presence: What Meaning Cannot Convey. California: Stanford University Press
-Kousheshgaran, A.(2011). Revival Opportunities, in the Course of the Evolution of Historical Monuments from the Time of Creation to the Decline of the Work, Scientific Journal of Shahr va Memari-e Boumi, 1, 75-92
-Meraz, F. (2019). Cesare Brandi (1906-1988): His Concept of Restoration and the Dilemma of Architecture, Conversaciones con Cesare Brandi Y Giulio Carlo Argan, 160-177
-Mirkhoovand, F. (2009). Restoration is the process by which a work of art is transferred to the future, Ketabe Mah-e-Honar, 124, 74-77
-Mirnam, A.; Ahmadi, H.; Piravi Vanak, M. (2017). Cultural Protection and Heritage from a Cultural Perspective, a Critical Approach,Scientific Journal of Tarikh va Farhang, 98, 61-82
-Perusini, G.(2013). Il Dibattito sulla Pulitura dei Dipinti della National Gallery e del Louvre alla Metàdell’Ottocento: Alcune Considerazioni Generali. La cultura di Restauro, Modelli di Ricezione per la Museologia e Storia dell’Arte. Rome: Compisano
-Rudenberg, H.G.; Rudenberg, P.G. (2010). Origin and Background of the Invention of the Electron Microscope. Advances in Imaging and Electron Physics, 160,207–286
- Shirvani, M.; Ahmadi, H.; Patriot, R. (2016). Recognizing Values and Commons Influencing the Transformation of Value Perspectives in the Preservation of Cultural Heritage in the Present Century. Honarhaye Ziba, Memari va Shahrsazi, 21(4) 39-50
URLs: